Category Archives: Documentaries and Film

Define “militarism”

This video on Catholic “Just Defense” theory has one explanation and definition of militarism. It also gives a decent overview of Catholic Just War theory: where it came from and what it says. It has six parts but is only about 30 minutes long in total:

“Those who hold this position or set of assumptions believe that violence and war are not evil in themselves and can be effective means to bring about positive result. Violence and war can be used to right wrongs, to protect the innocent, and to restore order and peace. Indeed the militarist position maintains that not only is killing for the right reasons justifiable, it is also honorable and noble. Human beings are violent by nature, the militarist position reasons, and so good people must not avoid violence. It is imperative that the good guys outgun the bad guys. Thus, legitimate violence, the violence of the good guys, is a sign of courage and virtue, and the rejection of such violence is a sign of cowardice, or vice. Violence is glorified, and the good guys who employ legitimate, sanctioned violence are heroes.”

War Made Easy

War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Narrated by actor and activist Sean Penn, the film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations. The documentary is based on the book War Made Easy: How Presidents and Pundits Keep Spinning Us to Death by Norman Soloman and published in 2005.

Iraq’s Secret War Files (documentary)

Wikileaks published a massive cache of nearly 400,000 secret U.S. field reports from the Iraq. They provided grim new details about war in Iraq: the killing of innocents, the torture squads, and the lies. This is a documentary based on those documents. Go to 19:10 to see a sickening example of what the Pentagon calls “collateral damage.”

Never forget: “With the Holy See and bishops from the Middle East and around the world, we fear that resort to war, under present circumstances and in light of current public information, would not meet the strict conditions in Catholic teaching for overriding the strong presumption against the use of military force.” — United States Conference of Catholic Bishops, November 2002

Nonviolent Resistance During WWII

From the Catechism of the Catholic Church: “Those who renounce violence and bloodshed and, in order to safeguard human rights, make use of those means of defense available to the weakest, bear witness to evangelical charity, provided they do so without harming the rights and obligations of other men and societies. They bear legitimate witness to the gravity of the physical and moral risks of recourse to violence, with all its destruction and death. (Part III Life in Christ, Safeguarding Peace III., 2306).

From Waging Nonviolence:

“Hardly a year goes by without at least one Hollywood film that takes place during World War II. And when Hollywood isn’t making them, other countries are. In fact, there hasn’t been a year since the war ended without several movies featuring events from that period. And it’s hard to imagine a time when that will change. After all, who doesn’t like a good story of resistance in the face of evil?

Yet in their pursuit of showing us the good in human nature — our capacity for courage and sacrifice, and our ability to work together for a common, higher purpose — most of these films have also taken historical shortcuts that offer only a very narrow view of World War II. For instance, we forget that Germans during this period, including Nazi soldiers, were not unanimously in support of Hitler. We forget that there were those who even engaged in resistance, and that more violence wasn’t the only way to challenge the Nazis.”

Click here to read more about The Book Thief (2013), Rosenstrasse (2003), Sophie Scholl — The Final Days (2005), Miracle at Midnight (1998), Weapons of the Spirit (documentary, 1989), and Among the Righteous (PBS documentary, 2010).

 

A documentary about fatherlessness

Well, I wanted to focus on peace not war during the Christmas season, but it seems I can’t get away from it. I watched a documentary recently called Absent (2010) about “the social pandemic of fatherlessness affecting today’s societies.” It doesn’t tell us what we don’t already know: that boys and girls very much need a father, one that is “engaged” and loving, in order to grow into healthy, self-confident adults. It goes on to explain why that is, and it also offers some insight into how and when this pandemic started.

I thought they would attribute the trend of fatherlessness to the welfare state and its impact on families. Instead, however, they trace the beginning of this pandemic back to World War II, in which over 16 million American soldiers fought, most of whom were men. One million of those men never returned. This, say the makers of the film, was the beginning of the trend of fatherlessness. Not only did the war deprive millions of children of fathers in a physical sense, but the soldiers who returned from the war came home with so many mental and emotional wounds, that they ended up being “absent” in other ways. Suffering from PTSD, many veterans of that war could not engage emotionally with their children, and they became depressed, alcoholic, or abusive. This greatly affected the next generation, who were deeply wounded by their fathers’ absence, whether physical or emotional. It’s a problem that seems to compound with each succeeding generation, if the cycle isn’t broken.

How many children since 2003 have been deprived of their fathers’ presence in their lives due to the War on Terror? How many mothers are basically raising their children alone because their husband is deployed on his fourth or fifth tour of duty? I’m afraid we know all too well the affect this will have. I’m quite sure that no number of stories about their father’s heroism in distant lands could make up for his day-to-day absence in their lives.

A child whose father died in Afghanistan.

A child whose father died in Afghanistan.

The documentary also delves into the subject matter of gender differences. The makers of the film firmly believe that boys and girls are different (you don’t say!) Every little boy, they say, has a warrior inside him. They say that this is a good thing; it’s the way it supposed to be. We want men in society who are strong and fearless, who are capable, for example, of standing up to oppressors, of standing up for justice, of protecting the innocent. Aggression, in boys, they say, is only natural, and we damage little boys when we expect them to repress their aggression and act like girls. The trick is to teach them how to use it for good. The filmmakers also point out that in Western culture there is an absence of any “rites of passage” that signal to a boy that he has become a man.

The father of the boy photographed above: Real-life Superman: He had a tattoo on his arm bearing a superhero emblem

The father of the boy photographed above: Real-life Superman: He had a tattoo on his arm bearing a superhero emblem

The trick, the filmmakers say, is to help boys grow into men by helping them to channel their aggression and use it in productive ways, to teach them how to be good men, how to use their power to serve others. It isn’t hard to imagine how so many men, left without fathers, without any guidance in becoming a man, would be attracted to the military a way to test their mettle and become the warriors they feel it is their calling to be. The story goes that the man pictured above was killed when he saved an Afghan child from being hit by a truck. That is heroic and commendable, but we can’t forget how many children have died overseas, too, as a result of our military presence. How can we teach men that the most heroic and manly thing they can do is to be good and present fathers to their own children right here at home? It would not be an exaggeration to say that the makers of this film believe that the fate of American society rests in the hands of America’s fathers. Bring them home! Our kids need them more.

ScreenPeace Film Festival

On February 6-8 the DeBartolo Performing Arts Center at the University of Notre Dame will hold the annual ScreenPeace Film Festival, which will present 5 critically acclaimed films that highlight a range of compelling issues related to peace and justice. Tickets, which are free, will be available in mid-January.

The Trials of Muhammad Ali   7 p.m.

This film covers the explosive crossroads of Ali’s life. When Cassius Clay becomes Muhammad Ali, his conversion to Islam and refusal to serve in the Vietnam War leave him banned from boxing and facing a five-year prison sentence. From Kartemquin Films and Academy Award-nominated director Bill Siegel, “The Trials of Muhammad Ali” examines how one of the most celebrated sports champions of the 20th century risked his fame and fortune to follow his faith and conscience. Watch Trailer.

Wadjda 

Wadjda, a 10-year-old girl in Saudi Arabia, is fun-loving and always pushing the boundaries. After a fight with her friend Abdullah, Wadjda sees a beautiful green bicycle for sale. She wants the bicycle desperately so she can beat Abdullah in a race. But her mother won’t allow it, fearing repercussions from a society that sees bicycles as dangerous to a girl’s virtue. Wadjda decides to raise the money herself by entering a competition for memorizing and reciting Koranic verses. It won’t be easy, especially for a troublemaker like Wadjda, but she is determined to fight for her dreams. Watch Trailer.

NO  

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders for the NO persuade a brash young advertising executive, Rene Saavedra (Gael Garcia Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot‘s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free. Watch Trailer.

The Square  

The Egyptian Revolution has been an ongoing rollercoaster over the past two and a half years. Through the news, we only get a glimpse of the bloodiest battle, an election, or a million man march. At the beginning of July 2013, we witnessed the second president deposed within the space of three years. “The Square” is an immersive experience, transporting the viewer deeply into the intense emotional drama and personal stories behind the news. It is the inspirational story of young people claiming their rights, struggling through multiple forces, in the fight to create a society of conscience. Watch Trailer.

The Act of Killing  

Anwar Congo and his friends dance their way through musical numbers, twist arms in film gangster scenes, and gallop across prairies as cowboys. Their foray into filmmaking is celebrated in the media, even though Anwar Congo and his friends are mass murderers. When the government of Indonesia was overthrown in 1965, Anwar and his friends helped the army kill more than a million alleged communists, ethnic Chinese, and intellectuals in less than a year. Anwar and his friends have written their own triumphant history, becoming role models for millions of young paramilitaries. Watch Trailer.

The ScreenPeace Film Festival is presented in partnership with the DeBartolo Performing Arts Center, University of Notre Dame.

In the King of Prussia (1983)

In the King of Prussia (1983) – IMDb:            WATCH IT HERE!!!

Dramatization of the trial of Christian anti-war activists, known collectively as the “Plowshares Eight”. In September 1980, they broke into a General Electric weapons plant in King of Prussia, Pennsylvania, and in an act of protest against nuclear proliferation, poured vials of their own blood onto secret missle plans, burned other files, and damaged nosecones intended for nuclear missles. The direct-to-video production is intercut with clips from actual news coverage of the trial. The “Plowshares Eight” portray themselves in the production, and after taping was complete, reported to court for their imprisonment.